I was a cop for twenty years. And while I always saw True Crime as a busman’s holiday, I loved crime fiction all along. Eventually my own writing took me there, as well. I love how crime fiction, much like good science fiction, explores the nature of human behavior in a way that isn’t as prevalent in other genres. As a result, I’ve read widely in the field, always gravitating toward the darker and grittier entries. The lone wolf protagonists who either live by a code or undergo a fascinating change within the book or series has also been my focus.
I love this book because, like all of the Parker novels, it starts in the middle of the action, with Parker and his associates spilling out of a car, on the run. Parker hides in an off-season theme park and what follows is a story that is better than Die Hard (and pre-dates it by a decade).
I love the Parker novels for this sort of action and the way that Parker adheres to his particular code. It is not one most heroes abide by but you have to admire this tough thief who lives by the words he speaks – there’s something honorable in that.
By the time Richard Stark sat down to write "Deadly Edge" in 1971, he'd been chronicling the adventures of his antihero, Parker, for nearly a decade. But it turns out he was just warming up: the next three "Parker" novels would see Stark crank everything up a notch - tightening the writing, heightening the violence, and, most of all, hardening the deadly heister at the books' heart. "Deadly Edge" kicks things off by bidding a brutal adieu to the 1960s: Parker robs a rock concert, but the heist goes sour, and he finds himself - and his woman, Claire -…
This book starts in the same moment as Slayground, but follows Alan Grofield as he flees the scene, instead of Parker.
Grofield is more of a grifter than a straight-out thief, and his roles in the thieving scams tend to reflect that. I love that his true love is acting and him taking scores is simply a means to allow him to pursue that passion.
I enjoy the slightly lighter tone of the Grofield novels, though they are still what I’d call gritty. And I love how Stark created a “Parker-verse” long before the idea of an IP universe was commonplace.
When he's not carrying out heists with his friend Parker, Alan Grofield runs a small theater in Indiana. But putting on shows costs money and jobs have been thin lately - which is why Grofield agreed to fly to Las Vegas to hear Andrew Myers' plan to knock over a brewery in upstate New York.
Unfortunately, Myers' plan is insane - so Grofield walks out on him. But Myers isn't a man you walk out on, and his retribution culminates in an act of unforgivable brutality.
That's when Grofield decides to show him what a disciple of Parker is capable…
Thanks to Hollywood adaptations and sometimes a greedy publisher, a great series can diminish as time passes. But that doesn’t change how cool the original was.
I love the setup of a man waking on a sailing vessel with no memory, only to discover his identity as super espionage agent. The mystery of the scenario and the intrigue as Bourne unravels his own personhood was so well done in this first book (and the first film was an excellent adaptation), and it is worth revisiting.
Jason Bourne is back in the forthcoming major motion picture starring Matt Damon and Alicia Vikander. Go back to where it all began for Bourne in his first adventure - The Bourne Identity
He was dragged from the sea, his body riddled with bullets. There are a few clues: a frame of microfilm surgically implanted beneath the skin of his hip; evidence that plastic surgery has altered his face; strange things he says in his delirium, which could be code words. And a number on the film negative that leads to a bank account in Zurich, four million dollars, and…
I saw the 1987 film adaptation of this novel starring Scott Glenn before I read the book, which is set decades earlier.
I loved the progression of this hard-bitten, psychologically damaged mercenary coming to love this little girl that he is charged with protecting. It’s such a pure emotion for him and the fact that she returns it so completely, as only a child can, is heart-wrenching.
Both the 1987 and the 2004 film adaptations do a good job capturing the magic of this drama, but as is usually the case, the novel does it best. If someone loves The Mandalorian, it is worth trying Man on Fire, which the former has many parallels with.
Creasy thought he had nothing left to lose. He was wrong.
An American soldier of fortune far from home -- alcoholic, burnt out, and broken down -- Creasy has accepted a job as a bodyguard just for something to do. An emotionally dead, one-time warrior, he knows that nothing can pierce the hard shell he's built around himself -- until the little girl he's been hired to protect somehow breaks through. But having something to care about again in making Creasy vulnerable. And when the unthinkable occurs, a man on fire won't just burn ... he'll explode.
I loved The Rockford Files TV show, and Sam Strait reminds me a little of Jim Rockford. I love how there’s a lightness to this book (and its sequels) but it still contains an edgy and compelling mystery.
The dialogue is fun, as are the “rules” Sam Strait lives by… the first of which is to never live anywhere you can’t wear flip-flops, thus the moniker of The Flip-Flop Detective series.
Of all five books I’ve chosen, this is the lightest fare and an excellent palate cleanser between Stark or Quinnell without entirely leaving the genre. Conway writes some darker books as well – PI and police procedurals – but Sam Strait is the most fun.
Former deputy Sam Strait lives his life by a particular set of rules. They provide him freedom to do the things he wants where he wants with whom he wants. For a single man in his mid-thirties, things couldn’t get any better. Then why isn’t he happier?
When Sam returns home for the summer, he discovers a stranger dead in his boat. With cops and reporters crawling over his property, gone are the usual plans of soaking up the sun and whiling away the days in the arms of a…
Sandy Banks is the last of The Four Horsemen, a vigilante group of ex-cops determined to right the injustices of a broken court system. But now the project is disintegrating, putting him in the middle of chaos. Betrayed by his final partner, blackmailed by the project head, and pursued by federal agents bent on busting the case wide open, Sandy scrambles to escape this mayhem with his soul intact.
This is book #1 of the Sandy Banks Thriller series! Read the follow-up, Some Kind of Hell!
I’m an OB/GYN, passionate about adventuring beyond what’s expected. This has led me to pivot multiple times in my career, now focusing on writing. I’ve written a play, The Post-Roe Monologues, to elevate women’s stories. I cherish the curiosity that drives outer and inner exploration, and I love memoirs that skillfully weave the two. The books on this list feature extraordinary women who took risks, left comfort and safety, and battled vulnerability to step into the unknown. These authors moved beyond the stories they’d believed about themselves–or that others told about them. They invite you to think about living fuller and bigger lives.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
The team attempts a new route up the East Face without the use of supplemental oxygen, Sherpa support, or chance for rescue. When three climbers disappear during their summit attempt, Zieman reaches the knife edge of her limits and digs deeply to fight for the climbers’ lives and to find her voice.
The plan was outrageous: A small team of four climbers would attempt a new route on the East Face of Mt. Everest, considered the most remote and dangerous side of the mountain, which had only been successfully climbed once before. Unlike the first large team, Mimi Zieman and her team would climb without using supplemental oxygen or porter support. While the unpredictable weather and high altitude of 29,035 feet make climbing Everest perilous in any condition, attempting a new route, with no idea of what obstacles lay ahead, was especially audacious. Team members were expected to push themselves to their…
